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Gareth Southgate

A Strong Start To The FA’s World Cup Gameplan

As England finish off their preparations for their assault on the FIFA World Cup (and their inevitable brave/ abject defeat in the Quarter Finals/ Round of 16/ Group stages), Gareth Southgate and The FA can be pleased with how the last month or so has gone. Yes, a certain player’s choice of tattoo created a bit of a storm and the squad are only a poor performance against Costa Rica away from the mood switching once again, but there is currently a positive – yet balanced – feeling in the air. Starting with Southgate’s squad announcement: not too much controversy regarding the selections there. He always said he would pick based on form and, in the main, Gareth has done exactly that, with the double-barrelled bolters – Trent Alexander-Arnold and Ruben Loftus-Cheek – both worthy of their spots, in my humble opinion. He also clearly has a plan about how he wants the team to play (finally a considered move away from 4-4-2?!?) and has picked the individuals that can play in this system. So far, so good.

I also think The FA’s squad announcement film deserves credit. Whilst clearly not everyone’s cup of tea (and the detractors were very welcome to stick to BBC Sport for the big news, as this really wasn’t for them), The FA’s marketing team should be applauded for taking a risk and branching out from the typical media release and manager press conference, to create something that could really engage with young football fans. In featuring young fans (and, crucially, those from the length and breadth of the country), Wieden + Kennedy’s work suitably represented the fresh, young playing squad who are ‘hungry’ and ready to ‘get to work’.

No big, pressure-building statements about belief or it being our time, just a sense that this group of players are ready to do their very best. And isn’t that all we as fans can really ask from this inexperienced squad? We often talk about the need to own a moment (see our AJ and Kano Under Armour film for more on that) and The FA managed it. I also liked how they used Twitter’s RT mechanism to give fans the chance to see the video first; and it was a lovely build to ask the players to use their own social channels to show that, ultimately, they too are England fans.

And then on Tuesday, Gareth and The FA pulled off a PR masterstroke. Taking inspiration from the Super Bowl media day, The FA opened up St. George’s Park to the media and gave access to all 23 players in the squad at the same time. The FA recognise that the relationship between the media and the national team hasn’t always been the rosiest and it is clearly in their interest to try and keep the press on side over the next six weeks (and beyond)… and initiatives like this can only help. Listening to BBC Radio 5 Live yesterday evening as Chappers and his team interviewed each and every player, you really got a sense of a group of young and hardworking players who are enjoying this open and relaxed environment – and have every intention of enjoying their Russian experience.

Obviously, this is all well and good, but we all know judgement will come when the tournament starts. If Southgate can translate this modest, good-mood feeling into some exciting performances in Russia, then perhaps we the fans, and The FA can bask in a brilliant summer.

VIDEO: The vision of the future

Content. The buzzword of modern-day marketing. Not a day goes by in the office when the word content isn’t mentioned. With all this comes a huge increase in video content, and at a time where one third of online activity is video consumption, brands would be foolish to not ensure that the video content they are producing is engaging, relevant and last, but by no means least, has a purpose.

Yet, with this explosion of online video comes a huge amount of data, which ultimately, is the key to brand success; unlocking audience behaviour, and being informed about what is making an impact. In light of this, I attended an Online Video Data Revolution Talk hosted by Tubular Labs last week where I was able to listen to the success stories and learnings from broadcast and digital experts in their pursuit of doing just that.

Be one of the ‘Lads’

In the room, we learnt tips from the likes of Adam Clyne, COO of The LAD Bible Group, the world's fastest-growing news site for young men. With monthly viewership of 3.7 billion, and ranking second across global media properties (according to Tubular Lab’s August statistics), The LAD Bible is a great example of a brand born out of social media channels, mainly Facebook, which meant the pressure to create engaging video content was vast.

Clyne was quick to acknowledge that the ‘relatability’ of The LAD Bible’s content has been a huge factor in its success. By understanding their audience, the team at The LAD Bible are able to produce video which has the likeability and shareability factor which exponentially increases the likelihood of getting views. Elements like ‘tag a mate’ act as a direct call to action, which often results in a domino effect with audiences’ content participation.

The success of The LAD Bible has also been down to the instantaneous results which they can gauge through social sentiment. Clyne highlighted that more than ever, if the content is wrong for your audience, they are not afraid to comment and call you out on this. This goes for branded content as well, with audiences being savvy enough to acknowledge a brand collaboration when they see it. However, Clyne pointed out that such content shouldn’t be an anomaly within your newsfeed or enable you to “sell your soul” by changing your normal tone for the sake of a brand. Nowadays, it is more important than ever to react to what your audience wants, learn the before and after, and ensure you’re targeting those most engaged with your content.

Leaving Broadcast Behind

With the rise in digital video content, where does this leave broadcasters? Certainly, there is the necessity to keep ahead with the times by creating short-form content which can establish a place on social platforms in its own right. Andy Taylor, co-founder and CEO of LittleDot Studios commended American talk shows such as The Tonight Show Starring Jimmy Fallon and The Late Late Show with James Corden for their ability to master an online presence.

A show of hands in the room proved this point when asked who watches The Late Late Show with James Corden versus who had seen James Corden’s Carpool Karaoke ; more often than not, YouTube sees more views of broadcast content than the programme itself. These types of videos tap into the recipe of success which Adam Clyne spoke of, being easily shareable as well as timeless in their existence on YouTube.

What’s next for video

With the surge in demand for online content, Andy Taylor from Little Dot predicted that in five years’ time, Facebook will consist of strictly video content. For broadcasters to succeed in these times, he predicted that we are more likely to see TV and online collaborations. This is something we have already had glimpses of with the recent partnership between National Geographic and The LAD Bible, whereby National Geographic’s Leonardo DiCaprio-led documentary, Before the Flood ( was broadcast simultaneously on TV and via a livestream on The LAD Bible’s Facebook page.

This form of output is establishing a presence online, particularly for sports fans who have shown themselves hugely engaged with digital and social live streaming, which brings massive opportunities for rightholders and broadcasters alike. Just recently, Andy Murray became the first tennis star to stream a major match live on Facebook from his own page, and Moto GP earned more than 7 million views from a clip of Andrea Dovizioso and Valentino Rossi partaking in some ‘epic’ wheelies, demonstrating that the appetite for live sport on social will continue to increase.

Ultimately, it is clear that video content is more important than ever for engaging audiences and creating a loyal fan base for your brand; viewer behaviours are finding new forms of expression all the time, so, more often than not, brands need to adapt quickly and respond. Lastly, it is important to understand that the digital landscape has shifted in such a way that brands are able to reach their consumers without necessarily going through a third party, putting greater emphasis on the brand messages themselves and the way they reach their audience. We’re currently in a shift state, the balance of power for content is moving from broadcast to online, and I for one am excited to see where brands can capitalise from this.